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Selsø Manor
Selsø is first mentioned in the historic sources in 1288 in the Latin term "curia" referring to a larger manor. It belonged to the bishop in Roskilde until the reformation 1536 - and until 1556 to the Crown - but in 1559 it came to rich noble family Ulfeldt. Jacob Ulfeldt moved the manor away from the church to its present position, and he built in the 1570s a new Renaissance main building in red monk bricks from the demolished convent in Roskilde, St. Clara, where he in 1571 bought 1/2 million bricks.
The main building was surrounded by moats and a pointed block wall with towers in the corners. Later Selsø Manor was marked by a rebuilding in 1728-34. The main building was "freed" for its Renaissance decoration and tower. The old porthouse was replaced by the present square portbuilding in early Rococco style. After a thorough restoration in the 1970s the main building appears again in its former glory untouched by the "bessermachen" in the 1800s.
Selsø Manor was in 1972 rented by herregårdshistorikeren (Manor historian) Bernhard Linder , who established a manor museum in the main building. Riddersalen (The Great Hall) is remarkable with a stuccato loft and marbled panels from the 1730s. Here are also several paintings from the 1700s by the Dutch artist Hendrik Krock. In the vaulted cellar from the 1500s is a big kitchen which is often presented as Denmarks oldest manor kitchen with open fireplace and walled laundry. Besides alternate exhibitions are exhibitions of old agricultural tools, weapons and domestic utensils.
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Selsø Manor
Selsø is first mentioned in the historic sources in 1288 in the Latin term "curia" referring to a larger manor. It belonged to the bishop in Roskilde until the reformation 1536 - and until 1556 to the Crown - but in 1559 it came to rich noble family Ulfeldt. Jacob Ulfeldt moved the manor away from the church to its present position, and he built in the 1570s a new Renaissance main building in red monk bricks from the demolished convent in Roskilde, St. Clara, where he in 1571 bought 1/2 million bricks.
The main building was surrounded by moats and a pointed block wall with towers in the corners. Later Selsø Manor was marked by a rebuilding in 1728-34. The main building was "freed" for its Renaissance decoration and tower. The old porthouse was replaced by the present square portbuilding in early Rococco style. After a thorough restoration in the 1970s the main building appears again in its former glory untouched by the "bessermachen" in the 1800s.
Selsø Manor was in 1972 rented by herregårdshistorikeren (Manor historian) Bernhard Linder , who established a manor museum in the main building. Riddersalen (The Great Hall) is remarkable with a stuccato loft and marbled panels from the 1730s. Here are also several paintings from the 1700s by the Dutch artist Hendrik Krock. In the vaulted cellar from the 1500s is a big kitchen which is often presented as Denmarks oldest manor kitchen with open fireplace and walled laundry. Besides alternate exhibitions are exhibitions of old agricultural tools, weapons and domestic utensils.
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Selsø Church
Selsø church was built as a round church ab. 1150, but was rebuilt in ab. 1250 where only the apse was left from the old church. The porch is from ab. 1400 and the tower from ab. 1500.
The church has a beautiful position on a hillside by Selsø lake, which is the rest of a corner of Roskilde fjord. Here was the island Selsø which in the early Middle Ages belonged to the church in Roskilde, and Selsø church was supposedly built as a round fortificated castle church during the troubled period in the 1130s and the 1140s in which the bishops and other important clerical people supported the alternate pretenders.
While Selsø Manor was a church estate it was placed close to the round castle church, but later it was moved to another position. Still it is placed only a few hundred meters from the present church. The inventory in Selsø church is marked by the neighbourhood of the family Ulfeldt. A couple of herskabsstole ( Lord of the Manor stools) are dated 1593 with Ulfeldt and his wife's coat of armour. The pretty Renaissance altar piece is given in 1605 by Mogens Ulfeldt who also gave the special octagonal baptismal sandstone font decorated with angels' heads.
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Countess Danner, originally Louise Rasmussen, was the wife of Frederik VII from 1850. Louise Rasmussen was an illegitimate child. She was trained as a ballet dancer at the Royal Theatre. In 1841, after she had had a child with her lover at the time, the book printer Carl Berling, she retired as a dancer and opened a fashion store.
She knew Crown Prince Frederik (VII) during the 1830's, and she later became his mistress. When he became king in 1848 she was made a baroness. In 1850 she entered a morganatic marriage with the King, and she became a countess. Because of her background she was met with dislike from both bourgeoisie and aristocracy, and she became a political liability for Frederik VII. At the same time she had a stabilising effect on the King, who was very closely attached to her.
She bequeathed her assets to a foundation in Copenhagen for poor working class women, and at her palace, Jægerspris, several orphanages for poor girls were established.
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Roskildes rådhus er bygget i 1884 efter tegninger af arkitekt O. Momme , som også har udformet udsmykningen i Rådhussalen, trapperummet og vestibule. Rådhustårnet er fra 1500- tallet. Det var kirketårn for Sct. Laurentii kirke, hvis rester kan ses under torvet ved henvendelse i Rådhusbutikken
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Lauritz de Thurah
From Wikipedia, the free encyclopedia
Lauritz de Thurah
Laurids de Thurah painted in 1754 by Johan Hörner
Personal information
NameLauritz de Thurah
NationalityDanish
Birth dateMarch 4, 1706
Birth placeMariager, Denmark
Date of deathSeptember 5, 1759 (aged -77)
Work
BuildingsSpire of Church of Our Saviour
Eremitage Palace
Gammel Holtegård
Laurids Lauridsen de Thurah, known as Lauritz de Thurah (March 4, 1706 - September 5, 1759), was a Danish architect and architectural writer. He became the most important Danish architect of the late baroque period.[1] As an architectural writer and historian he made a priceless contribution to the understanding of both Denmark's architectural heritage and building construction in his day.[2]
de Thurah was a self-taught architect who learned much of what he knew by studying the inspiring buildings he saw on his travels outside Denmark between 1729 and 1731. He brought home the baroque style, which was then popular, but was quickly losing way to rococo. Throughout his life he maintained a loyalty to the baroque, even as the world around him continued to change and he lost work assignments to others who mastered the newer, more popular styles.[3]
Contents [hide]
1 Biography
1.1 Youth and early life
1.2 Architectural studies and travels
1.3 Career in Denmark
2 Writings
3 Selected works
4 See also
5 External links
6 References
[edit]Biography
[edit]Youth and early life
Lauritx de Thurah was born Laurids Lauridsen Thura in Aarhus, the third son of parish priest Laurids Thura, later Bishop of Ribe, and wife Helene Cathrine de With. He was educated at home by the elder Thura, a literate scholar and able teacher. By chance he come into contact with the royal house when King Frederik IV called on the Bishop, and chose the boy and his older brother Didrich for military service. In 1719 he went to Copenhagen as a military cadet, a landkadet in Danish, to receive an education for the Engineer Corps at the Military Cadet Academy (Landkadetakademiet).
He was employed in 1725 as Assistant Resident Engineer in the Holstein Engineering Corps, and he moved to Rendsburg where he served from 1725-1729.
[edit]Architectural studies and travels
With an interest in improving his lot in life by eventually coming into an architectural career, he enthusiastically studied the local building style, and petitioned the king for a royal grant to study civil architecture on a longer travel to foreign lands. In order to attain this he made carefully detailed drawings of Rendsburg's fortifications, churches and houses, and a preliminary construction drawing for a suspension bridge.
The king was impressed, and promised to give him funds, but instead he gave Thura and his friend Lieutenant Holger Rosenkrantz additional surveying and drawing assignments. Finally Thura, after having sent the king many reminders to his promised financial assistance, went to Copenhagen and was put to a final test, before receiving the economic grant so he and Rosenkrantz could travel.
Thura also made drawings and measurements of the newest castle in Denmark, Fredensborg, which were given as a gift to the Count of Hesse, before he traveled.
Thura and Rosenkrantz left in 1729, and visited a number of German cities, including Kassel, where they made careful studies and measurements of buildings. They traveled further to Italy, France, Holland and England before returning to Denmark in 1731.
[edit]Career in Denmark
Hirschholm as illustrated in J. P. Trap: Kongeriget Danmark 2nd edition, 1872
After his return home, Thura rose rapidly up the ranks. He became Resident Engineer in 1732. In 1733 he was named Royal Building Master with supervisory responsibility for royal buildings on Zealand and on Lolland-Falster. At the same time he was promoted to Captain in the Engineering Corps.
In 1732-1736 he designed and built the royal Palace in Roskilde, also known as the Yellow Palace, on the site of the old Bishop’s palace east of Roskilde Cathedral. The four-wing baroque building became the headquarters of the Duke of Wellington during the English siege of Copenhagen in 1807, and now houses the Museum of Contemporary Art.
In 1733-1739 he worked on the first remodelling and expansion of Hirschholm Palace for King Christian VI and his consort Queen Sophie Magdalene.[4]
In 1734-36 de Thurah built the Eremitage Palace, palatial hunting lodge overlooking Jægersborg Dyrehave north of Copenhagen, and facing east over the Øresund to Sweden. The grey-stone house with copper-clad mansard roof replaced another hunting lodge named "Hubertus", which had been built nearby in the 17th century. The original design featured an elevator-table, similar to a dumbwaiter), which could be raised from the cellar up to the dining room. In this way servants stayed in the cellar kitchen, where they prepared and set the table, and then it could be hoisted up to the dining room through a hatch in the floor. Diners would then eat unattended by servants or "en eremit". that is "in the hermit style". The lodge is still in use to this day for special occasions.[5]
But already after only a couple of year’s service back in Denmark, Thura began to feel that his baroque style had gone out of fashion.[6] He felt that baroque was losing ground to rococo, a style mastered by another force in contemporary Danish architectural circles, Nicolai Eigtved, who would be Thura’s colleague and rival throughout most of his career. Eigtved, who returned to Denmark from his travels in 1735, became the king’s preferred architect, and Thura felt himself being more and more set to the side.
In 1736 Thura was promoted to Lieutenant Colonel. He participated, along with German architect Elias David Hausser and Nicolai Eigtved, in the interior construction of (the first) Christiansbrog Palace. He designed some of the interiors in the Queen’s apartments 1737-1740, but these were lost in the fire of 1794. He also created plans for the main staircase, the chapel, the marble bridge, the pavilions and the riding grounds, which were never realised.
On 19 October 1740 he married Anna Rosenørn, daughter of a General Major, and is conferred nobility under the name "de Thurah".
In 1741 de Thurah elevated the roof of the main building at Fredensborg Palace. In 1742 he was named to the Building Commission, and took on supervisory responsibility for royal buildings on Zealand and Funen.
In 1743-1744 he designed the final rebuilding of Hirschholm Palace, the most impressive building project of the period, known as "the Versailles of the North". The same year work was completed on the tower and spire for the Church of Our Lady, in Copenhagen, partially after a drawing by Vincents Lerche. The building, however burned down during the bombardment of Copenhagen in 1807, and was rebuilt by Christian Frederik Hansen.
In 1744 de Thurah was promoted to Colonel. His three-volume work Den danske Vitruvius was published in 1746-1749, containing almost 400 drawings and measurements of buildings in Copenhagen and royal castles and other interesting buildings in Denmark, with Danish, German and French text.
Frustrated by his losing assignments to Eigtved, he petitioned the king in 1747 for a new non-architectural position, but this was rejected.
In 1748 de Thurah was asked to assist on the building of a new spire on the Lambert van Haven designed Church of Our Saviour in the Christianshavn district of Copenhagen. He chose a design inspired by the Sant’ivo della Sapienza church he had seen in Rome many years before. The new design however was much more costly than the king's original plan, and this led to a fierce rivalry between de Thurah and Eigtved over the choice of building material. The king finally sided with de Thurah.[7]
Thurah's own house at 25 Amaliegade in Copenhagen, built to his own design in from 1755-57
That same year de Thurah’s wife died. He married again on January 16, 1750, to Christiane Marie de Kiærskiold, heiress to Børglum Kloster. He felt overlooked and pressured by colleague Eigtved, and so he pulled back on his career. He moved out of Copenhagen to the estate at Børglum Monastery in Jutland with his wife.[8]
de Thurah’s masterpiece, the ornate, spirall-staircased spire on Our Saviour’s Church, topped with globe and figure, was completed in 1752, and can still be seen high-above Christianshavn to this day.
In 1753, after his retirement from the Engineering Corps, he was named General Major. That same year he gave up his responsibility for royal buildings on Zealand, that being taken over by Nicolai Eigtved. In 1754 he was named General Building Master, while Eigtved took over as Royal Building Master.
The six year older Eigtved died that same year, causing de Thurah to be called back into service as the leading architect of the day.
de Thurah was assigned the completion of work in Eigtved’s Frederiksstad district centred around Amalienborg, including the last two palaces on the eastern side of the square, and in 1754-1758 he designed and built the four pavilions at Frederiks Hospital, now housing the Danish Museum of Art & Design, which Eigtved had begun in 1752. He also built a house for himself in the district at 25 Amaliegade. from 1755–57
He also tried to get plans approved for Frederik's Church, the centerpiece of the Frederiksstad area. He wanted to build a stone dome in the style of Michelangelo. The work eventually went to French neoclassical architect Nicolas-Henri Jardin.
He died during the night September 5, 1759 in Copenhagen, and is buried in Trinity Church (Trinitatiskirke).
[edit]Writings
Parallel to his work as a practicing architect, de Thurah wrote several important treaties on Danish architecture. In 1735 de Thurah received a royal grant to collect information and to write a comprehensive work on architecture in Denmark, detailing all the royal buildings in the country. This work, eventually called Den Danske Vitruvius (English: The Danish Vitruvius) (1746–48), would take up increasing amounts of his time as his architectural assignments diminished. Another central work of architectural importance by de Thurah is Hafnia Hodierna, published in 1748.
Additionally, he published illustrated books about Bornholm, Christiansø, Amager, Saltholm, and Samsø between 1756 and 1758).
[edit]Selected works
The Yellow Palace (1732–1736)
Eremitage Palace (1734–36)
Hirschholm Palace (1733–44, demolished)
Spire of the Church of Our Saviour (1749–52)
Four pavilions at Frederiks Hospital (1754–58)
Gammel Holtegård (1756–57)
[edit]
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Il s'agit en fait des fondateurs mythiques de Roskilde, Roar et Helge, 1939, par Johan Galsters, 1910-1997.
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Voir les nouveautés annoncées plus récemment | plus anciennement.